Painted papers

At present, I am posting a lot of mixed media, however I do have a number of textile pieces in process. 
I will be posting these as they are finished in the next few weeks
Deadlines are looming, and of course, that is when the work gets done, lol.
Today I am posting about some painting on paper I did recently.  The papers will be used in collage and mixed media work.

As you can see from the overviews above, I did quite a few samples as well as trying out a couple of techniques at the same time.
The first thing I wanted to play with was paste paper.  I had recently read about this at a gorgeous bookbinding blog here.  If you are not at all interested in paper, you will be after looking at her galleries.

Paste paper is like what we called fingerpainting at Kindergarten, just a bit more of a grown-upversion. Whilst not really paste papers, the two above were printed with paste paint, using a lace doily (a mass produced machine one) The first is the positive and the second is the negative.  I loved this effect.

These second two are using paste paint on newspaper.  In the first one, I used a barbecue rubber brush to create a pattern, in the second, my fingers, but you can see that even with dark paint the coverage is really not good enough for newspaper.

This sample used green paste paint with glitter on brown paper.  The swirls were created with the rubber brush.

This paste sample was swished with the brush.  This was on a coated paper and you can see in the top right that the coating decided to come off.  not a good paper to use.

This one is the same, using a brush to create texture, but on a more interesting paper which knows how to behave.  This was on an opened out white paper bag, (with a shiny side, like you buy lollies/candy in at the shop)  The result was almost translucent when dry and I really liked it.

The same white paper and paste, using the rubber brush to make this lovely texture.  My favourite.

This time more colours, some metallic and a small brush to make swirls.  This one is great, too.

This one is what is called a pulled paper - You know when you used to make inkblots or butterflies by folding the paper paint side in then opening it again.  The texture is really interesting and I will be doing maore of this type.

The other things I wanted to play with were newspaper and adding stuff to painted papers.

Here are three painted newspapers.  The two things I learned were that the paint needs to be dark and thick and more than one layer works best.  I don't want to obscure all the print, but I want it to be difficult to read.
I also decided that it would be worht trying a light coat of gesso before painting to wash out the text a bit, then I could have more muted colours.

These three were all paint on paper, but with different additions sprinkled on.  The one on the left was baking soda - in the middle rock salt and right was sugar.  They all create a different texture. ( I do not think the baking soda changed the colour, but being a biochemist I am aware this is possible, so as i can't remember if the paint was the same in all three, I will just have to do it again)

The final two samples are just using different papers.

This one is on white butcher's paper, the type they wrap your meat in.  I used the shiny side and found it took prints really well.

This last sample was an accident, but I was interested in what happened.  I used freezer paper under my papers to protect the work surface and this is a piece which inadvertently got painted.  I thought the paint would come off, but it doesn't, so it's worth keeping my protecting sheets for another project.

All in all, this was a very productive day, and I got a lot  sheets of lovely paper to use in my books and mixed media out of it.  The sample tags I have shown here are just little bits cut off the edges of thode sheets, and would you believe it?  I have also used the scraps from cutting out the tags on some collaged book covers!

We don't waste much around here!

for the market

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little birdies having a little chat on my work table prior to going to market on sunday.

These little birdies were made using a modified form of  a bird design by Terry Grant on Quilting Arts TV 710.  (See more of Terr's work on the 12 x 12 site by clicking their icon in my side bar)

You know I can never stick to a pattern or a technique without thinking what if? 
One major difference is that they were done entirely by hand!
This is the second batch I have made for our local quilting group's fundraising stall.  They were so popular I had to make more!

Perhaps not an utter failure

Thanks Gina, Renate and Caroline. 

Just to show you that I

1. do eventually get around to things
2. have projects that are failures

I have a little project to show you.
Way back in June, I designed this piece.

It has been sitting around, patiently waiting for me to play with it.

So got out my pattern and decided to make a little version, since the big one was not happening.  I traced the pattern onto acetate, so I could arrange things on my lutradur backing.

I added some water (A cotton fabric)

Rocks and more water in the foreground (more cotton).

Some more rocks and some more water (more cotton).

I tacked all these cotton fabrics down with a little free motion.

So far so good........

I added some cellofoil and sewed that down too.
I decided the rocks needed a few highlights and darks

 So I added some organza and satin.

Then a little more for the sea, with some ripped up nappy liners

And then more nappy liners

 I overdid the nappy liners because I know how they shrink to almost nothing...........

When you blast them with a heat gun!  So now you see why I used cotton on the underneath layers.
OOps! - too much nappy liner just turns into blobs.
I can see that getting the effect I got here

Requires a bit more experimentation. 
When I added little bits of nappy liner (and lots of cellofoil) I got a bubbly fluffy texture (above), but this time I used lots of nappy liner and not as much cellofoil.
In addition, this time I did not distress the cellofoil and nappy liner layers separately.
I could probably do some hand stitching to perhaps make something of this little piece,  however at this point, I will just set it aside and think on it again.

Sometimes the grass really is greener on the other side of the hill.
But remember, all you have to do is get up and walk there!  It might take some time, but you'll get there.

Using Prompts

Recently, I read an article by Robin Olsen from the sep/oct 2009 issue of Cloth Paper Scissors  I decided to extend her idea, which was to use prompts to direct the construction of a fibre art piece.
I made up 110 cards for my prompts.  I used a list of techniques from my database, where I keep a record of  my reading and the ideas which come from it.  In the past, I have simply been able to scan through the database until I find something I felt like experimenting with, and do it - but now, with the techniques converted to prompts, it gives me random ideas for a piece.
Today, I decided, it was time to put the cards to the test!  Were there too many?  How flexible could it be? Would it work for me?
Let's find out!

I started with a piece of felt.

The prompt said "Add needle felted fabric" - Now, I have only small scraps of fabric left from other projects, not enough to cover this piece, which was about 14-16 inches square!  So here, the flexibility came in.  I decided to just needlefelt onto the felt.  You can see, I already had the machine out above.

Here I am in the final stages of covering the felt with needle felting.  (As usual, I got too engrossed to take pictures!) I used scraps of Fabric from my scrap box which included cottons, organza, satin, plastic, silk, roving scraps, painted nappy liners and face cloths, dyed batting and felt. Any fabrics which were not felting in well were covered in a fine film of roving scraps and re-needled.

 Above are a few close ups of the surface.

Here is the final foundation layer, with a few bits of scrap yarn added.

A close up of the yarn.

My next card said "Use a monoprint"  I was stumped for a while.

There was nothing for it but to get out the fabric I monoprinted a little while ago.  I looked at it.   I looked at it again.....  Finally I thought of cutting some flowers out of it.

So I got some flowery stencils out and moved them around.  The tulip and sunflower looked interesting, but... then I saw this stencil.

Decision made!

I thought the butterfly might look nice placed like this.  But I wanted to be sure.  So I loaded all my pictures into Photoshop.

First I cropped the background.

Then I got rid of most of the background from the butterfly and flowers (only a rough job, really)

and then I pasted them into place.  The contrast between the background and the elements is not wonderful, more is needed, so...

I drew around the butterfly with black to see what black satin stitch would do for it - and I liked that!

So I cut out my butterfly and put it down on the background.  I was still not sure about the flowers, though and just to make up my mind, I drew another card.

 It said "Attach something that isn't fully anchored down / dimensional" and that made up my mind for me.  I would make some dimensional flowers to add.


So that is where I got to today.  Considering I had no idea where I was going this morning and now I have a piece well on it's way, I'd say this method works.  But I'll have to try it a few more times, just to make sure, lol.
When I first started thinking about doing this, I  thought it might be a little too lacking in creativity, but the way I have put it together allows a bit of freedom in interpreting the prompt and the challenge actually seems to stimulate more creativity.  If I hadn't had to look at my monoprints, I wouldnt have looked at the stencils and I probably would never have  seen the butterfly and thought of using it.
Instead of how I thought it would be, it actually helps my creative impulse to not have to wrack my brain thinking of how to do something and instead simply take a random technique and  make it fit.

Try making a list of the techniques you regularly use and/or want to use.  Make them into cards so you can pick randomly, and have a go.  You might be surprised (like I was) at what you create.

Well, that's my story - and I'm sticking to it