For Friday Focus this week, I experimented with supermarket rubbish bags. Truly, I did. Ever since i read Kim Thittichai's Hot Textiles, I have been dying to have a go at her techniques. She is an extremely well known textile and surface artist in the UK and has training in sculpture. You can view videos of her here (you will have to log in but it's free) and here. Some of the surfaces she creates and those by others in the book are simply gorgeous. I only played with plastic bags today, but there are all sorts of other synthetics to play with as well. What I experimented with was layering and fusing plastics with the iron.
My technique was pretty simple. I used a large leaflet of parchment paper on my ironing mat, simply put the plastic between and ironed. Because the parchment paper is see through, I could see what was going on. Most effects only needed one or two swipes with a hot iron, then peel off the parchment when cool.
One effect in particular which I really liked was in the encyclopedia of machine embroidery. I have just taken the last hour to try and find it. I thought it was bubble wrap and plastic with threads captured between, however it wasn't although it really looked like it. I tried to get a similar sort of effect.
This is a blue shopping bag and bubble wrap layered together. The white you see is holes (the bubbles burst from the heat)
This is the same but with some blue thread trapped between
I think the first one is closest to what I was after and with some free motion embroidery, would probably be excellent for bubbles under water (I see sea dragons in it's future).
This is some bubble wrap that had a green tinge to it. I liked the way the colour formed around where the bubbles were (how to make coloured bubble wrap).
I trapped some autumn leaves between two bag layers, it worked, but the leaves were very brittle and probably needed to be treated with some glycerine or PVA to stop them breaking otherwise any stitching would shatter them.
This is some of the plastic mesh bag oranges come in trapped between two layers. It was interesting that it shrunk more when it was intact (top) whereas, at the bottom, it was loose and didnt' shrink.
Several layers of two colours layered in sheets
Many many layers of the green created this rocky sort of texture
This was made with lots of scrunched up pieces
This shows what happens with one or two flat layers. The top one shows how the plastic opens up to create and airy texture, while the bottom shows how the plastic laminated with lots of layers.
This sample has many layers of plastic, but they are added one by one and have angelina layered between them. Adding the pieces one by one allows the creation of the holes, which is a great texture, also shown below:
This is one layer of plastic ironed onto a non thermoreactive plastic (thick acetate). I really like the way the bag plastic becomes an open texture like this. If it is heated on it's own between parchment layers, not only does it break up like this it shrinks. It needs a substrate or a foundation under it to do this.
I really like this texture and have many ideas about using it, but I wanted to try one more experiment before the end of the day. I overlapped pieces slightly on a sheet of fusible, then heated. And look what I got!
This sample was the piece d' resistance. All of the sheets have fragmented and the overlaps create wonderful colours. The white flecks you see are holes in the plastic, not reflections. My mind is now spinning with ways to use this new textile. It can be ironed on to just about any surface and I really just want to get embroidering with it. You will see this piece again in another work.
so I have had a very productive day, hope you did too
Showing posts with label Hot Textiles. Show all posts
Showing posts with label Hot Textiles. Show all posts
Friday, March 4, 2011
Tuesday, March 1, 2011
Fibre Film
I have decided Tuesday is Textile Tuesday! On Tuesdays, I will blog about creating new textiles and surfaces for stitch.
Today we are looking at Fibre Film, which is a technique inspired by Cathy Franks and Bonnie Mc Caffery, but it was also memtioned briefly in Hot Textiles by Kim Thittichai.
This is what we are going to make today
The one on the left is a film on fusible webbing, on the right is on fusible interfacing. The fusible interfacing works just as well but the background colours are limited (unless you paint or dye the interfacing first) and the finished product can't be manipulated into shapes and textures as easily. The webbing film can be ironed on to any fabric or surface as a background and can be easily tucked and folded to create texture, but BEWARE it is very fragile.
Place your folded parchment and webbing on top of the silicone sheet on your ironing surface (my finger is touching the web)
Grab a wad of fibre from your stash. You can be picky about colours or not. Here are two balls, one mostly green and a mixed one with a lot of gold.
Roll the wad into a ball between your fingers
Cut small tufts of fibre off onto the webbing
Spread out any thick areas with your fingers Too much thread in any area, will not stick!
You are done whn you think you are done
Close the top layer of parchment down
Iron - it may help your iron if you add another piece of parchment, especially if your original rectangle is not square.
Allow the parchment sand wich to cool completely and then peel the top layer back
When the webbing has set, carefully peel off the film, taking care with the edges. You may find it is easier to wait a day or so - if you can
and you have a beautiful piece of film.
Take care not to fold the film side on to itself as it may stick together and not come apart! It is best to store the film in it's little booklet of parchment until you need it.
What to use it for
Basically anything. This film, bonded to another surface, could be entrapped in the same way as in the zippered journal cover. It could be used for texture in landscapes, as grass, leaves, rock, water, you are only limited by your imagination. Because it is fusible webbing you could paint it before fusing the fibres (I will cover painting fusible in a later blog). You could do any number of heat treatments (ditto). The bottom line is it is a quick, easy and cheap way to add texture to fibre art.
Below is a quick 5 minute card I made using some shot organza, and a piece of fibre film on cardstock. Now all it needs is some embellishment relevant to the person it is for and it will be a beautiful card!
Tomorrow, I will blog about some WIPs and until then, happy Fibrecating!
Today we are looking at Fibre Film, which is a technique inspired by Cathy Franks and Bonnie Mc Caffery, but it was also memtioned briefly in Hot Textiles by Kim Thittichai.
This is what we are going to make today
The one on the left is a film on fusible webbing, on the right is on fusible interfacing. The fusible interfacing works just as well but the background colours are limited (unless you paint or dye the interfacing first) and the finished product can't be manipulated into shapes and textures as easily. The webbing film can be ironed on to any fabric or surface as a background and can be easily tucked and folded to create texture, but BEWARE it is very fragile.
Fibre Film
You will need:- Parchment paper folded in half with fusible film on one half
- A stash of fibre scraps (this is a 2L maxwell and williams vase I was given. DH never brings me flowers so I might as well get some eye candy out of it this way)

- A lint roller
- An iron or press
- A Silicone mat or extra parchment paper
Place your folded parchment and webbing on top of the silicone sheet on your ironing surface (my finger is touching the web)
Grab a wad of fibre from your stash. You can be picky about colours or not. Here are two balls, one mostly green and a mixed one with a lot of gold.
Roll the wad into a ball between your fingers
Cut small tufts of fibre off onto the webbing
Spread out any thick areas with your fingers Too much thread in any area, will not stick!
You are done whn you think you are done
Close the top layer of parchment down
Iron - it may help your iron if you add another piece of parchment, especially if your original rectangle is not square.
Allow the parchment sand wich to cool completely and then peel the top layer back
When the webbing has set, carefully peel off the film, taking care with the edges. You may find it is easier to wait a day or so - if you can
and you have a beautiful piece of film.
Take care not to fold the film side on to itself as it may stick together and not come apart! It is best to store the film in it's little booklet of parchment until you need it.
What to use it for
Basically anything. This film, bonded to another surface, could be entrapped in the same way as in the zippered journal cover. It could be used for texture in landscapes, as grass, leaves, rock, water, you are only limited by your imagination. Because it is fusible webbing you could paint it before fusing the fibres (I will cover painting fusible in a later blog). You could do any number of heat treatments (ditto). The bottom line is it is a quick, easy and cheap way to add texture to fibre art.
Below is a quick 5 minute card I made using some shot organza, and a piece of fibre film on cardstock. Now all it needs is some embellishment relevant to the person it is for and it will be a beautiful card!
Tomorrow, I will blog about some WIPs and until then, happy Fibrecating!
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